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Late Roman ivory diptych (c. 400 AD) made for the pagan aristocratic Symmachi and Nicomachi families, among the finest surviving examples of late antique ivory carving, now split between London and Paris.
The Vienna Convention on Consular Relations is a multilateral treaty governing relationships between states and their consulates. Adopted in 1963, it establishes clear rules for consular missions, defining privileges and immunities afforded to foreign diplomats working abroad. This document is essen...
Roman consular ivory diptych (417 AD) commemorating the consulship of Constantius III, the powerful general under Emperor Honorius who briefly served as co-emperor in 421 AD.
Roman consular ivory diptych (c. 449 AD) issued to commemorate the consulship of Astyrius, exemplifying the luxury ivory gift tradition maintained by late Roman consuls upon entering office.
Roman consular ivory diptych (525 AD) marking the consulship of Philoxenus, one of the last known examples of the late Roman tradition of ivory tablets distributed by newly appointed consuls.
The Diptych of Stilicho is a carved ivory diptych made around AD 400 and associated with the late Roman general Stilicho. Its panels depict a high-ranking military man, an elaborately dressed woman, and a boy, commonly identified as Stilicho, his wife Serena, and their son Eucherius. Preserved in Mo...
The Diptych of Boethius is a late 5th-century consular ivory diptych originating from the Western Roman Empire. It was created to commemorate the consulship of Boethius in 487 AD, serving as an official administrative announcement distributed to allies and the empire. Carved across two hinged panels...
The Diptych of Aspar is a 434 AD consular diptych from the Eastern Roman Empire, notable for depicting the magister militum Flavius Aspar in full attire.
The Diptych of Areobindus is a Byzantine consular ivory diptych made in 506 to commemorate the consulship of Flavius Areobindus Dagalaiphus Areobindus at Constantinople. Its carved panels depict the consul presiding over public games, an established subject for ceremonial objects distributed by newl...
The Diptych of Probus is a late Roman carved ivory diptych associated with the consul Anicius Petronius Probus and dated to 406. Its surviving panels depict the emperor Honorius in military dress, holding imperial attributes, while inscriptions identify Probus and express loyalty to the emperor. Pre...
The Diptych of Clementinus is a Byzantine consular diptych carved from ivory in the year 513 AD. Originating from Constantinople, it was created to commemorate Clementinus, who served as the consul for the year. The surviving panel depicts the consul seated beneath a baldachin, presiding over the ga...
The Diptych of Orestes is a 530 AD Byzantine consular ivory panel, notable for depicting the consul Orestes and serving as a historical record of the era.
The Diptych of the Lampadii is a late Roman carved ivory artifact originating from Late Antiquity, typically dated to the late fourth or early fifth century. It consists of two hinged panels featuring intricate relief sculptures. The diptych is noted for its classical portraiture and serves as an ex...
The Diptych of Felix is a 5th-century consular ivory diptych from the Roman Empire, notable for depicting Consul Felix and offering historical documentation.
