Best Electro Funk

Uncle Jam Wants You is a 1979 Funkadelic studio album released by Warner Bros. Records and produced by George Clinton. Its title and cover adapt the familiar Uncle Sam recruitment image to the fictional P-Funk nation, while its music combines ensemble funk, synthesizers, vocals, and prominent guitar...

The Gap Band IV is a 1982 album by the Gap Band, the Tulsa group led by brothers Charlie, Ronnie, and Robert Wilson. Its electronic keyboards, synthesizer bass, percussion, and call-and-response vocals place it at the transition between 1970s funk and 1980s electro-funk. The album contains "Early in...

Zapp is the 1980 debut studio album by Zapp, a funk group formed by members of the Troutman family in Dayton, Ohio. Produced with involvement from Bootsy Collins, the record foregrounds Roger Troutman's processed talk-box vocals, synthesizers, handclaps, and elastic electric-funk rhythms. Its princi...

Word Up! is a 1986 studio album by the American funk band Cameo. It combines the group's established funk approach with synthesizers, electronic percussion, and pop-oriented arrangements characteristic of mid-1980s production. The album contains the title track and "Candy," both widely recognized Ca...

The Gap Band III is a 1980 studio album by the Gap Band, a group formed by brothers Charlie, Ronnie, and Robert Wilson in Tulsa, Oklahoma. The record combines funk and R&B with synthesizers, forceful bass lines, and dance-oriented rhythms that helped shape the group's early-1980s sound. It includes...

Computer Games is George Clinton's debut solo studio album, released in 1982 after Parliament and Funkadelic had ceased operating as they had during their peak years. It extends the P-Funk approach through synthesizers, drum machines, layered vocals, humor, and dance-oriented arrangements. The album...

Stone Jam is a 1980 studio album by Slave, the funk band formed in Dayton, Ohio, and released through Cotillion Records. The recording combines prominent electric bass, synthesizers, guitar, percussion, horns, and male and female vocals in tightly structured dance-funk arrangements. It includes "Wat...

Zapp II is the 1982 second studio album by Zapp, an Ohio funk group closely associated with singer, songwriter, and talk box player Roger Troutman. The album combines electronic keyboards, elastic bass lines, handclaps, and processed vocals in the electro-funk style the group helped define. It inclu...

She's Strange is a 1984 studio album by the American funk band Cameo. Its title track became a major R&B hit and reflects the group's increasingly electronic approach, combining synthesizers, drum machines, prominent bass, and tightly arranged vocals. The record belongs to Cameo's transition from th...

Gap Band V: Jammin' is a 1983 studio album by the Gap Band, the Tulsa, Oklahoma group led by brothers Charlie, Ronnie, and Robert Wilson. It includes "Party Train," a dance-oriented funk single built around synthesizers, electronic rhythms, group vocals, and Charlie Wilson's lead performance. The al...

Single Life is a 1985 studio album by Cameo, the American funk group led by Larry Blackmon. It continued the electronic direction heard on She's Strange, using synthesizers, drum machines, bass, and clipped vocal arrangements in place of the denser horn-led sound of the group's earlier records. The...

Fancy Footwork is the second studio album by Chromeo, the Canadian electro-funk duo of David Macklovitch, known as Dave 1, and Patrick Gemayel, known as P-Thugg. Released in 2007, it combines synthesizers, drum machines, guitar, talk box, and rhythm and blues-influenced vocals. The album includes th...

Raise! is a 1981 studio album by Earth, Wind & Fire, the American group led by Maurice White. It combines funk, soul, pop, and electronic production while retaining the group's layered vocals, rhythmic precision, and horn arrangements. The album includes "Let's Groove," "Wanna Be with You," and "I'v...

Knights of the Sound Table is a 1981 studio album by Cameo, the American funk group led by Larry Blackmon. It reflects the band's movement from the large-ensemble arrangements of its earlier records toward a tighter sound shaped for dance floors and R&B radio, while retaining prominent bass, horns,...

You Shouldn't-Nuf Bit Fish is a 1983 solo studio album by George Clinton and his second album released under his own name. It carries forward the P-Funk approach associated with Parliament and Funkadelic through layered vocals, electronic textures, comic language, and densely arranged dance rhythms....

White Women is a 2014 studio album by Chromeo, the Canadian duo of David Macklovitch and Patrick Gemayel. It combines synthesizers, drum machines, guitar, talk-box vocals, and knowingly retro references to 1980s electro-funk, dance-pop, and R&B. The album debuted at number five on the Billboard 200,...

Joystick is a 1983 studio album by the Dazz Band, a Cleveland group whose music combines funk, R&B, dance rhythms, and electronic instrumentation. Released by Motown, it followed the band's commercial breakthrough with "Let It Whip," which received a Grammy Award, and includes a funk-oriented title...

Zapp III is the third studio album by Zapp, released in 1983 as part of the Ohio group's early run of electronic funk recordings. Roger Troutman's talk box remains central to its sound, transforming his voice through an instrument-controlled electronic effect and placing it alongside synthesizers, e...

Nightcruising is a 1981 studio album by the Bar-Kays, a Memphis group whose long career moved from instrumental soul into vocal funk and R&B. The record reflects the band's early-1980s use of synthesizers and streamlined dance arrangements while retaining the rhythmic emphasis developed during its e...

The New Zapp IV U is the fourth studio album by the Ohio funk group Zapp, released in 1985 by Warner Bros. Records. Roger Troutman's vocals, synthesizers, and electronically processed talk box remain central to its electro-funk sound. The album includes "Computer Love," a slow electronic duet featur...

Urban Dancefloor Guerillas is a 1983 album credited to the P-Funk All Stars and directed by George Clinton. Released by Uncle Jam Records through Capitol, it brought together musicians and vocalists associated with Parliament, Funkadelic, and Clinton's related projects. The record combines ensemble...

Ultra Wave is a 1980 studio album by American bassist and singer Bootsy Collins, credited to Bootsy rather than his earlier Bootsy's Rubber Band billing. The record retains his P-Funk foundation while placing greater emphasis on synthesizers, electronic effects, and streamlined arrangements associat...

Gap Band VI is a 1984 studio album by the Gap Band, a funk and R&B group formed by brothers Charlie, Ronnie, and Robert Wilson in Tulsa, Oklahoma. The record continued the group's use of synthesizers, rhythm machines, prominent bass lines, and Charlie Wilson's lead vocals during its commercially est...

The Electric Spanking of War Babies is a studio album by Parliament, released in 1981 and produced by George Clinton. It combines the group's established P-Funk approach with prominent synthesizers, electronic textures, layered vocals, and satirical lyrics. The record was Parliament's final studio a...

A funk album from the early 1980s funk era, featuring the hard-edged ensemble sound typical of the period's rhythm-section-driven dance and soul releases.

Parliament's 1980 studio album and their final release before an extended hiatus, with a title referencing the trombone and a prominent horn-section sound.