Best Gauguin
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Where Do We Come From? What Are We? Where Are We Going? is a large oil painting created by Paul Gauguin in Tahiti in 1897 to 1898. Its figures are arranged across a tropical setting in a sequence generally read from right to left, moving from infancy through adulthood toward old age and death. The w...
Where Do We Come From? What Are We? Where Are We Going? is a large oil painting created by Paul Gauguin in Tahiti in 1897-1898. Its arrangement of human figures, animals, vegetation, and an idol-like form presents successive stages of life across a symbolic tropical setting rather than a single narr...
Vision After the Sermon is an 1888 painting by Paul Gauguin in which Breton women envision the biblical struggle between Jacob and an angel after hearing a sermon. A diagonally placed tree separates the observing women from the visionary encounter, which unfolds against a broad red field rather than...
Paul Gauguin's Nave Nave Fenua, or Delightful Land, is an 1890s woodcut that recasts Tahiti as a symbolic, dreamlike landscape.
Paul Gauguin’s 1894 woodcut, Nave Nave Fenua, portrays a Tahitian woman within a vibrant tropical landscape. Created following his initial exploration of French Polynesia, the artwork exemplifies post-impressionist style and figurative representation. It is notable for its depiction of Polynesian cu...
Paul Gauguin's Mahna No Varua Ino, or The Devil Speaks, is an 1890s Noa Noa woodcut combining Tahitian imagery with invented symbolism.
Paul Gauguin’s Nave Nave Fenua is a 1894 woodcut depicting life in Tahiti. The artwork showcases Gauguin’s post-impressionist style through simplified forms and vibrant colors reflecting his time spent in the South Pacific. It's notable for its exploration of Polynesian culture and its distinctive v...
The Yellow Christ is an 1889 oil painting by Paul Gauguin depicting the Crucifixion in a Breton landscape, with several local women gathered around the cross. Christ's body is rendered in intense yellow and outlined against broad, simplified areas of autumnal color, rejecting naturalistic modeling i...
Paul Gauguin's Te Faruru, meaning Here We Make Love, is a Tahitian-themed woodcut created for his Noa Noa project in France during the 1890s.
Gauguin’s “Mahna No Varua Ino” is a woodcut depicting a powerful, unsettling figure within a Tahitian scene. Created between 1893 and 1894, it exemplifies his exploration of Polynesian beliefs surrounding the supernatural. The artwork reflects Gauguin's interest in primal spirituality and darker asp...
Paul Gauguin's Auti Te Pape, or Women at the River, is an 1890s woodcut based on Tahitian subjects observed during his first Pacific journey.
Gauguin’s “Te Atua – The Gods” (1894) is a woodcut depicting stylized representations of Polynesian deities. Created during his time in Tahiti, the artwork explores the intersection of Christian beliefs and traditional Tahitian religious practices. It showcases Gauguin's innovative approach to synth...
Gauguin’s “Te Faruru – Here We Make Love” is a woodcut from 1893-94. The artwork portrays a Tahitian couple in a private moment, reflecting Gauguin's time spent in Tahiti and his desire to capture Polynesian culture. It belongs to the Noa Noa suite, intended for Parisian viewers. This piece is notab...
Paul Gauguin's Noa Noa, meaning Fragrant Scent, is an 1890s woodcut linked to the illustrated manuscript recounting his experiences in Tahiti.
Paul Gauguin’s Noa Noa: Te Po woodcut depicts a Tahitian scene evoking the darkness of night. Created between 1893 and 1894, this Post-Impressionist work exemplifies Gauguin's interest in Polynesian culture and his exploration of primal themes through simplified forms. It is valued for its stylistic...
Tahitian Women on the Beach is an 1891 oil painting by the French artist Paul Gauguin, created during his first stay in Tahiti. It depicts two women seated beside one another on the ground, one shown in profile wearing local clothing and the other facing forward in a Western-style dress. The simplif...
Auti Te Pape, commonly translated as Women at the River, is a woodcut made by Paul Gauguin in 1893-1894 for the Noa Noa suite. The image shows Tahitian figures beside water and reflects Gauguin's effort to translate subjects from his first stay in French Polynesia into stark, deliberately simplified...
The Moulin de Pont-Aven is a historic 16th-century watermill in Brittany, France, notable for its artistic associations with Paul Gauguin and the Pont-Aven School of painters in the 1880s.
"Maruru" is an 1894 woodcut by the French Post-Impressionist artist Paul Gauguin, created following his first trip to Tahiti. The title translates to "offering" or "thanks" in the Tahitian language, and the artwork depicts a seated figure alongside a dog, rendered in the bold, flat forms characteris...
Paul Gauguin's Maruru, meaning Thank You, belongs to the experimental woodcuts associated with his 1890s Tahitian travel narrative Noa Noa.
Change of Residence is an 1899 woodcut by the French Post-Impressionist artist Paul Gauguin, created during his second stay in Tahiti. Gauguin produced a series of experimental woodcuts during this period, including works for his short-lived satirical periodical Le Sourire. His woodcut technique inv...
