Best Ukiyo E

South Wind, Clear Sky is a color woodblock print by Japanese artist Katsushika Hokusai, created around 1830–1832. It is part of the series Thirty-six Views of Mount Fuji and is also known by the title Red Fuji. The print depicts Mount Fuji under clear weather, with its slopes appearing red in the mo...

'Kambara: Evening Snow' is a woodblock print by the Japanese artist Utagawa Hiroshige, published around 1833–34 as part of the series 'The Fifty-three Stations of the Tōkaidō.' The composition depicts a quiet village at night under heavy snowfall, with travelers moving through a subdued landscape. I...

Rainstorm Beneath the Summit is a woodblock print by the Japanese artist Katsushika Hokusai, created circa 1830 as part of his Thirty-Six Views of Mount Fuji series. The artwork distinguishes itself by framing Mount Fuji from the south, showing a bright, snow-capped peak illuminated by sunlight whil...

"Miyamoto Musashi Killing a Giant Whale" is an ukiyo-e color woodblock print triptych created by the Japanese artist Utagawa Kuniyoshi around 1847. The artwork depicts the legendary historical swordsman Miyamoto Musashi engaged in an oversized battle with a massive whale, utilizing his distinctive t...

Night View of Saruwaka Street is a woodblock print by Japanese ukiyo-e artist Utagawa Hiroshige, published in 1856. It is included in his celebrated series One Hundred Famous Views of Edo. The artwork depicts the Saruwaka-chō district in Edo, which was the city's primary location for kabuki theaters...

"The Drum Bridge and Yuhi Hill at Meguro" is a woodblock print created in 1857 by the Japanese ukiyo-e master Utagawa Hiroshige. It is part of his landmark series One Hundred Famous Views of Edo, which documented the changing landscapes and seasons of Japan's capital. The print captures Meguro's dis...

"Kanbara: Snowy Night" is a color woodblock print by the Japanese ukiyo-e artist Utagawa Hiroshige. It belongs to his famous series *The Fifty-Three Stations of the Tokaido*, published in the 1830s, which documents the journey along the vital coastal road connecting Edo to Kyoto. The design illustra...

Moon Pine, Ueno is a color woodblock print by the Japanese ukiyo-e artist Utagawa Hiroshige, published in 1857. It is part of Hiroshige's series One Hundred Famous Views of Edo, which depicts scenic locations across the Japanese capital. The composition uses the circular branch of a celebrated pine...

The Dream of the Fisherman's Wife is a famous shunga woodblock print created by Japanese artist Katsushika Hokusai. Published in 1814 within the three-volume book Kinoe no Komatsu, the explicit design depicts a female shell diver engaged intimately with two octopuses. The intricate artwork is notabl...

"The Sea at Satta in Suruga Province" is an Edo-period ukiyo-e woodblock print by the Japanese artist Utagawa Hiroshige. Published in 1858, it belongs to his series "Thirty-six Views of Mount Fuji." The composition features a dramatic perspective looking through turbulent coastal waves and steep, ja...

Nichiren in Exile on Sado Island is a ukiyo-e color woodblock print by the Japanese artist Utagawa Kuniyoshi. The composition depicts the 13th-century Buddhist reformer Nichiren confronting stormy seas during his exile to Sado Island in 1271. This event was a pivotal moment in Nichiren's life and is...

Woman Wiping Sweat is a ukiyo-e woodblock print created around 1793 by the Japanese artist Kitagawa Utamaro. The portrait belongs to his acclaimed series Ten Physiognomies of Women, which explored the subtle expressions of female subjects from various social classes. Utamaro distinguishes the work t...

"The Ghost of Kohada Koheiji" is a woodblock print by the Japanese ukiyo-e artist Katsushika Hokusai, published around 1831 or 1832. It portrays the vengeful spirit of Koheiji, a murdered man, as a skeletal apparition peering over the edge of a mosquito net. The design comes from Edo-period urban le...

Bamboo Yards, Kyobashi Bridge is a color woodblock print by the Japanese ukiyo-e artist Utagawa Hiroshige, published in 1857 as part of his series One Hundred Famous Views of Edo. The print illustrates towering bamboo poles stacked beside the bridge, capturing the nocturnal atmosphere of a major com...

Kuniyoshi's print shows the outlaw Kidomaru concealed beneath a slain ox at Kyoto's Rashomon Gate, drawing on medieval warrior legend.

Hiroshige's Mishima: Morning Mist, published about 1833-34, renders the Tokaido station and its travelers emerging through fog.

Utamaro's 1788 Lovers in an Upstairs Room is an intimate erotic woodblock from Utamakura, one of his best-known illustrated albums.

Hiroshige's Naruto Rapids in Awa Province is a 19th-century Japanese landscape print centered on the strait's famous whirlpools.

Hokusai's Mishima Pass in Kai Province, from Thirty-six Views of Mount Fuji, shows travelers measuring an enormous cedar tree.

Hiroshige's view of Kameido Tenjin Shrine frames visitors beneath cascading wisteria, within his 1856-1858 series of famous Edo sites.

Hiroshige's 1857 landscape portrays the rural Edo outskirts of Minowa, Kanasugi, and Mikawashima, with cranes feeding in winter fields.

Kiyonaga's late 18th-century print portrays elegantly dressed women cooling beside Kyoto's Kamo River, a renowned setting for summer leisure.

Hokusai's Kazusa Province Sea Route, from Thirty-six Views of Mount Fuji, frames the distant peak between boats crossing Edo Bay.

Hiroshige's Otsuki Plain in Kai Province, published in 1858, combines autumn grasses with a distant view of Mount Fuji.

Hokusai's Tama River in Musashi Province, from Thirty-six Views of Mount Fuji, depicts the celebrated river beneath the distant peak.

Hokusai's Inume Pass in Kai Province, from Thirty-six Views of Mount Fuji, places travelers and packhorses beneath the distant mountain.

Hiroshige's Totsuka: Motomachi Fork, published about 1833-34, depicts travelers at the sixth station of the historic Tokaido road.