search
Get Started
search
Corelli Violin Sonata in D minor, Op. 5 No. 12, 'La Folia' - Violin Sonata
zoom_in Click to enlarge

Corelli Violin Sonata in D minor, Op. 5 No. 12, 'La Folia'

description Corelli Violin Sonata in D minor, Op. 5 No. 12, 'La Folia' Overview

The Corelli Violin Sonata in D minor, Op. 5 No. 12, known as ‘La Folia,’ is a cornerstone of Baroque music. Composed by Arcangelo Corelli around 1685, it’s notable for its intricate variations and the hauntingly beautiful “Folia” theme—a melancholic melody that became incredibly popular throughout the eighteenth century.

The sonata features a solo violin accompanied by continuo (typically harpsichord or cello) and is frequently studied by string students and performed by classical musicians seeking to explore the expressive possibilities of this influential work.

help Corelli Violin Sonata in D minor, Op. 5 No. 12, 'La Folia' FAQ

What does the term "La Folia" mean in the context of Corelli's Violin Sonata?

"La Folia" translates to "madness" or "empty-headed" in Portuguese and refers to a wild, energetic 16th-century court dance. The dance evolved into a distinct, repeating chord progression and melodic line that became a popular basis for Baroque variations.

What is the technical structure of Corelli's "La Folia" Sonata?

Composed around 1700, the piece consists of a simple stated theme followed by 23 increasingly complex variations for the violin. It culminates in demanding technical fireworks that showcase the performer's bowing and fingering abilities.

Did Arcangelo Corelli invent the "La Folia" melody?

No, Corelli did not invent the melody; the "Folia" theme existed as a popular folk chord progression for over a century before him. However, his Op. 5 violin setting was so masterful that it became the definitive version that inspired later composers like Beethoven and Liszt.

How was Corelli's "La Folia" Sonata published and distributed?

The sonata was published as the final piece in his influential "Sonate a violino e violone o cimbalo" (Op. 5) in Rome in 1700. This collection was dedicated to the German princess Sophie Charlotte of Hanover and became the most widely circulated violin music of its time.

Reviews & Comments

Write a Review

rate_review

Be the first to review

Share your thoughts with the community and help others make better decisions.

Save to your list

Save your favorites and follow how their scores change over time.

Save favorites
Get updates
Compare scores

Already have an account? Sign in

Compare Items

See how they stack up against each other

Comparing
VS
Select 1 more item to compare