Top Results for Bijin Ga
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Woman Combing Her Hair is a 1920 woodblock print by the Japanese artist Hashiguchi Goyo, one of the leading figures of the shin-hanga movement. It depicts a woman (model Tomi Kodaira) with her hair partially down, seated in a three-quarter pose while running a comb through her hair. Goyo self-publis...
Why this score
Signature Goyo portrait, celebrated for tactile hair detail, quiet sensuality, and meticulous production; firmly canonical within shin-hanga.
Scoring methodologyKitagawa Utamaro’s “Three Beauties of the Present Day” is a significant woodcut from the Edo period. Created around 1793, it exemplifies *bijin-ga*, a genre focused on portraying fashionable women. The artwork showcases three prominent courtesans, reflecting social status and artistic skill within J...
Woman Applying Powder is a 1918 woodblock print by Japanese artist Hashiguchi Goyo, recognized as a masterpiece of the shin-hanga movement. The artwork portrays a woman kneeling and applying white powder to her neck, rendered with exceptionally delicate lines and subtle color gradations. Goyo superv...
Why this score
Shin-hanga masterpiece acclaimed for intimate realism, luxurious surfaces, restrained color, and exceptional printing quality; highly prized by collectors.
Scoring methodologyWoman Wiping Sweat is a ukiyo-e woodblock print created around 1793 by the Japanese artist Kitagawa Utamaro. The portrait belongs to his acclaimed series Ten Physiognomies of Women, which explored the subtle expressions of female subjects from various social classes. Utamaro distinguishes the work t...
Why this score
Canonical Utamaro portrait admired for intimate observation, sensual realism, and psychologically immediate gesture; an important departure from idealized beauty.
Scoring methodologyUtamaro’s “Three Beauties of the Present Day” (c.1793) is a significant Japanese woodcut from the Edo period. The artwork showcases three celebrated women, a style known as bijin-ga which became widely influential in ukiyo-e prints. These portraits established a recognizable format for depicting and...
Why this score
Canonical Utamaro beauty print, widely reproduced and central to ukiyo-e portraiture.
Scoring methodology"Before the Mirror" is a 1916 color woodblock print by Japanese artist Ito Shinsui. It depicts a geisha adjusting her hair and is a prominent example of bijin-ga, or images of beautiful women. This artwork marked Shinsui's first collaboration with publisher Watanabe Shozaburo, a partnership that bec...
Why this score
Highly regarded Shinsui beauty print with elegant geometry, polished color, and introspective mood, though less iconic than Goyo's leading portraits.
Scoring methodology"Young Woman Admiring a Snow Rabbit" is a woodblock print created around 1767 by the Japanese ukiyo-e artist Suzuki Harunobu. As an early example of full-color printing (nishiki-e), the artwork reflects Harunobu's focus on capturing the fleeting moments of ordinary urban life in Edo. The print depic...
Why this score
Beloved Harunobu design acclaimed for delicate color, youthful grace, seasonal poetry, and characteristic visual refinement.
Scoring methodologyShinsui's 1952 Hair is a shin-hanga beauty print centered on a woman's flowing black hair, demonstrating the precision of collaborative printing.
Why this score
Acclaimed for graphic emphasis on hair, refined line, and modernized bijin-ga elegance; narrower recognition outside Japanese print scholarship.
Scoring methodology"Cooling on the Riverside" is a woodblock print by Japanese ukiyo-e artist Torii Kiyonaga, dating to the late 18th century during the Edo period. Kiyonaga (1752–1815) was head of the Torii school of printmakers and one of the leading designers of bijin-ga, or pictures of beautiful women. The print s...
Why this score
Important Kiyonaga triptych praised for graceful figures, expansive setting, and mature bijin-ga composition, though relatively specialized in reputation.
Scoring methodologyJigoku Dayu is a woodblock print by Tsukioka Yoshitoshi from the series One Hundred Aspects of the Moon, published between 1885 and 1892. It depicts the legendary courtesan Jigoku Dayu, whose name means Hell Courtesan, in a richly patterned kimono incorporating skeleton imagery. The figure is associ...
Why this score
Popular Yoshitoshi subject combining beauty, Buddhist symbolism, and macabre wit with exceptional decorative complexity.
Scoring methodologyKitagawa Utamaro’s “Ohisa of the Takashimaya” is a woodcut from around 1793. It portrays Ohisa, a renowned waitress at a Tokyo teahouse, showcasing Utamaro's skill in bijin-ga portraiture. The work exemplifies the Edo period’s fascination with idealized feminine beauty and is appreciated by art hist...
Why this score
Important Utamaro okubi-e, elegant and influential, but less iconic than Three Beauties.
Scoring methodologyItō Shinsui’s “Maiko” (1922) is a woodcut representing a young geisha apprentice. This piece exemplifies shin-hanga, a movement prioritizing traditional Japanese printmaking techniques and subject matter. The work showcases meticulous detail in the figure's clothing and expression, reflecting the be...
Why this score
Important Ito Shinsui beauty print, high shin-hanga reputation for elegance and psychological restraint.
Scoring methodologyItō Shinsui’s “Snow in Spring” (1922) is a Japanese woodcut depicting a woman amidst falling snow. This work exemplifies shin-hanga, a movement prioritizing traditional techniques while embracing modern subject matter. The piece showcases the artist's skill in figurative art and bijin-ga style portr...
Why this score
Celebrated Shinsui portrait, admired for mood and textile detail, strong but not his top icon.
Scoring methodologySuzuki Harunobu’s “Girl Reading by Lamplight” is a woodcut from the Edo period (circa 1766). It depicts a young woman absorbed in reading under the soft glow of a lamp. This work is notable as an early example of *nishiki-e*, or full-color block printing, within Japanese art. Harunobu’s meticulous t...
Why this score
Refined Harunobu nishiki-e, admired for intimacy and color innovation, moderate individual fame.
Scoring methodologyTorii Kiyonaga’s “Bathing Scene” exemplifies ukiyo-e woodcut art from Japan's Edo period (circa 1783). This bijin-ga, or picture of beautiful women, showcases a complex composition within a bathhouse setting. Kiyonaga was a leading artist of the time and his work offers valuable insight into Japanes...
Why this score
Respected Kiyonaga bath subject, expansive composition and grace, lower public familiarity than his best-known works.
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What leads the Bijin Ga ranking?
Hashiguchi Goyo, Woman Combing Her Hair currently leads the Bijin Ga results with a displayed score of 9.21/10. This is an editorial ranking result for the items included on this page, not a universal verdict for every use case.
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The 0 to 10 score is Lunoo's ranking judgment. Strong confidence means 10 or more recorded comparison checks, some means 2 to 9, and provisional means fewer than 2.
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