Top Results for Edo Period

Sharaku’s woodcut portrays Otani Oniji III in the role of Edohei, a celebrated kabuki actor from the Edo period. The print is notable for its remarkably realistic and emotionally charged depiction of the performer's character. Sharaku’s skill in capturing subtle nuances within a woodblock medium mad...

Hiroshige’s “Plum Park in Kameido” (1857) is a woodcut from his landmark series, *One Hundred Views of Edo*. The print showcases vibrant plum blossoms surrounding Kameido Tenjin Shrine, a significant site during the Edo period. Its detailed depiction of botanical subjects and urban landscape influen...

Hiroshige’s “Sudden Shower over Shin-Ohashi Bridge” is a woodcut from his renowned 1857 series, *One Hundred Views of Edo*. The print depicts a moment of everyday life during the Edo period—pedestrians navigating a sudden rainstorm across the Shin-Ohashi Bridge spanning the Sumida River. Hiroshige’s...

Hokusai’s Great Wave is a woodcut print from approximately 1831 depicting a massive wave threatening boats off the coast of Kanagawa. It's one of the most recognizable works within the ukiyo-e style of Japanese art and exemplifies the Edo period. The image, part of Hokusai’s “Thirty-Six Views of Mou...

Plum Estate, Kameido is an ukiyo-e woodblock print by Utagawa Hiroshige, issued in 1857 as number 30 in the series One Hundred Famous Views of Edo. The composition uses a close view of a flowering plum tree, with a large curving branch and trunk crossing the foreground while people and the surroundi...

Created by Utagawa Hiroshige in 1857 for the series One Hundred Famous Views of Edo, this ukiyo-e print depicts a sudden rainstorm over the Shin-Ohashi Bridge and the Atake district. Figures on the bridge hurry beneath umbrellas or carry coverings as wind-driven rain cuts across the scene. The compo...

Shono: Sudden Rain is a design by Utagawa Hiroshige from The Fifty-three Stations of the Tokaido, a series depicting places along the major route between Edo and Kyoto. The image shows travelers and porters struggling through a heavy downpour near the station of Shono, with slanting rain and bent fi...

Rainstorm Beneath the Summit is a multicolor ukiyo-e woodblock print by Katsushika Hokusai, made around 1830 as part of Thirty-six Views of Mount Fuji. The composition shows Mount Fuji beneath a dark, angular storm cloud while diagonal bands of rain cut across the surrounding landscape. Its subject...

South Wind, Clear Sky, commonly called Red Fuji, is a multicolor ukiyo-e woodblock print by Katsushika Hokusai, published around 1831 in the series Thirty-six Views of Mount Fuji. It presents Mount Fuji in warm red and orange tones beneath a clear blue sky, with a dark band of vegetation at the base...

Hiroshige’s “Night Snow” (Kambara, 1833) is a woodcut from his series depicting the Tokaido road. The print captures a serene winter landscape at Kambara station, notable for its evocative depiction of snowfall during the Edo period. It’s admired within ukiyo-e art and appreciated by viewers interes...

Hiroshige’s “Driving Rain” (1833) is a woodcut from his series depicting scenes along the Tokaido road. The print captures a dramatic moment at Shono station during a heavy rainstorm, showcasing travelers seeking shelter. It's notable for its detailed depiction of Edo-period life and Hiroshige’s mas...

Hokusai’s “Fine Wind Clear Morning – Red Fuji” is a woodcut from approximately 1831. It's part of his renowned "Thirty-Six Views of Mount Fuji" series, celebrated for its powerful depiction of the iconic mountain and innovative use of perspective within Japanese landscape art. The print showcases Ho...

This woodblock print by Tsukioka Yoshitoshi belongs to One Hundred Aspects of the Moon, a series issued between 1885 and 1892. It depicts Fujiwara no Yasumasa, a Heian-period courtier, playing the flute outdoors under moonlight. The subject combines a historical or literary figure with the series' r...

Kajikazawa in Kai Province is an ukiyo-e landscape print by Katsushika Hokusai, made around 1830 as part of Thirty-six Views of Mount Fuji. It depicts a fisherman casting a net from a rocky position beside a river, with Mount Fuji visible in the distance. The composition links the human figure, the...

Hokusai’s “Thunderstorm Beneath the Summit” is a Japanese woodcut from approximately 1831. The print showcases a powerful storm over Mount Fuji, utilizing stark contrasts of light and shadow to depict intense weather conditions. It's notable for its dynamic composition and represents one of the fame...

"Humanity and Paper Balloons" is a 1937 Japanese film directed by Sadao Yamanaka, categorized within the samurai film genre. The story explores the lives of impoverished samurai and merchants living in a slum district of Edo during the Edo period. It serves as a critique of the rigid social hierarch...

Utamaro’s “Three Beauties of the Present Day” (c.1793) is a significant Japanese woodcut from the Edo period. The artwork showcases three celebrated women, a style known as bijin-ga which became widely influential in ukiyo-e prints. These portraits established a recognizable format for depicting and...

The Crucified Lovers is a 1954 Japanese historical drama directed by Kenji Mizoguchi and based on a work by the playwright Chikamatsu Monzaemon. Set in the Edo period, it follows the printer Mohei and Osan, the wife of a wealthy merchant, after circumstances lead them to flee together under suspicio...

Mishima: Dawn is an ukiyo-e landscape print by Utagawa Hiroshige from the 53 Stations of the Tokaido, published in the 1830s. It depicts travelers setting out from Mishima in the early morning, with figures and a packhorse moving through a cool, mist-filled scene. The composition uses the station ga...

The Ghost of Oiwa is a woodblock print by Tsukioka Yoshitoshi from One Hundred Aspects of the Moon, a series issued between 1885 and 1892. It draws on Yotsuya Kaidan, the Japanese ghost story centered on Oiwa, whose death and betrayal lead to her return as a vengeful spirit. The print connects late...

Yoro Waterfall in Mino Province is an ukiyo-e woodblock print by Katsushika Hokusai, made around 1832 for the series A Tour of Waterfalls in Various Provinces. The image presents Yoro Falls as a tall cascade descending through a steep, wooded landscape, with small human figures providing scale near...

Jigoku Dayu is a woodblock print by Tsukioka Yoshitoshi from the series One Hundred Aspects of the Moon, published between 1885 and 1892. It depicts the legendary courtesan Jigoku Dayu, whose name means Hell Courtesan, in a richly patterned kimono incorporating skeleton imagery. The figure is associ...

The Dream of the Fisherman's Wife is a shunga ukiyo-e woodblock print by Katsushika Hokusai, published in 1814 in the illustrated book Kinoe no Komatsu. It depicts a nude woman entwined with two octopuses in an intimate scene combining erotic fantasy and marine imagery. The print is a single-page de...

Hokusai’s *The Dream of the Fisherman’s Wife* (1814) is a Japanese woodcut notable for its imaginative depiction of a fisherman transformed into a fearsome dragon. Created during the Edo period, this shunga print explores themes of fantasy and transformation. It was produced for the ukiyo-e genre wh...

This woodcut, created by Toshusai Sharaku in 1794, depicts Ichikawa Ebizō IV as the character Takemura Sadanoshin. It’s notable for Sharaku's remarkably realistic and emotionally astute portrayal of a kabuki actor, particularly his depiction of Ebizo’s complex demeanor. The print is valued by collec...

Nihonbashi: Morning View is an ukiyo-e woodblock print by Utagawa Hiroshige, published in 1833 as the opening image of the 53 Stations of the Tokaido. It shows the Nihonbashi bridge in Edo at the beginning of the road, with travelers, porters, and early-morning activity moving through the foreground...

Yui: Satta Peak is an ukiyo-e landscape print by Utagawa Hiroshige from the 53 Stations of the Tokaido, issued in the 1830s. It depicts the steep coastal route near Yui, where the elevated viewpoint looks across Suruga Bay toward Mount Fuji. The composition emphasizes the contrast between the narrow...

Asakusa Hongan-ji Temple in the Eastern Capital is a multicolor ukiyo-e woodblock print by Katsushika Hokusai, made around 1830 to 1832 during Japan's Edo period. It belongs to the series Thirty-six Views of Mount Fuji and presents the Honganji temple in Asakusa, Edo, with workers active on the broa...

Hokusai’s “Ejiri in Suruga Province” is a woodcut from approximately 1831. The artwork depicts a coastal scene showcasing dramatic wind and Mount Fuji's imposing presence. It’s notable for Hokusai’s masterful rendering of movement and perspective within the Edo period. This print is valued by art hi...