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Fine Wind, Clear Morning, commonly called Red Fuji, is a multicolored woodblock print by Katsushika Hokusai. It belongs to Thirty-Six Views of Mount Fuji, a series published in the 1830s, and presents Mount Fuji beneath a clear sky with its summit illuminated in red. The print is associated with uki...
Why this score
Canonical Hokusai masterpiece with exceptional museum prominence, global recognition, compositional influence, and enduring critical acclaim.
Scoring methodology
Thunderstorm Beneath the Summit is a woodblock print by Katsushika Hokusai from the Thirty-Six Views of Mount Fuji series, produced in Japan during the 1830s. The composition shows Mount Fuji beneath a dark, sharply defined storm cloud, with lightning cutting through the surrounding sky. Its contras...
Why this score
One of Hokusai's most celebrated Fuji designs, praised for dramatic color, atmospheric contrast, and elemental power.
Scoring methodology
Hokusai’s Great Wave is a woodcut print from approximately 1831 depicting a massive wave threatening boats off the coast of Kanagawa. It's one of the most recognizable works within the ukiyo-e style of Japanese art and exemplifies the Edo period. The image, part of Hokusai’s “Thirty-Six Views of Mou...
Why this score
Probably the most famous Japanese print, exceptional design, immense global influence and enduring public acclaim.
Scoring methodology
Rainstorm Beneath the Summit is a multicolor ukiyo-e woodblock print by Katsushika Hokusai, made around 1830 as part of Thirty-six Views of Mount Fuji. The composition shows Mount Fuji beneath a dark, angular storm cloud while diagonal bands of rain cut across the surrounding landscape. Its subject...
Why this score
Highly acclaimed Fuji design; radical weather, abstraction, and dramatic contrast secure masterpiece status.
Scoring methodology
South Wind, Clear Sky, commonly called Red Fuji, is a multicolor ukiyo-e woodblock print by Katsushika Hokusai, published around 1831 in the series Thirty-six Views of Mount Fuji. It presents Mount Fuji in warm red and orange tones beneath a clear blue sky, with a dark band of vegetation at the base...
Why this score
Iconic Hokusai landscape; celebrated color, monumental simplicity, and enduring status just below The Great Wave.
Scoring methodology
Hokusai’s “Fine Wind Clear Morning – Red Fuji” is a woodcut from approximately 1831. It's part of his renowned "Thirty-Six Views of Mount Fuji" series, celebrated for its powerful depiction of the iconic mountain and innovative use of perspective within Japanese landscape art. The print showcases Ho...
Why this score
Canonical Fuji print, iconic color and abstraction, consistently ranked just behind The Great Wave.
Scoring methodology
Kajikazawa in Kai Province is an ukiyo-e landscape print by Katsushika Hokusai, made around 1830 as part of Thirty-six Views of Mount Fuji. It depicts a fisherman casting a net from a rocky position beside a river, with Mount Fuji visible in the distance. The composition links the human figure, the...
Why this score
One of Hokusai's finest landscapes; celebrated for taut geometry, human concentration, and powerful wave forms.
Scoring methodology
Hokusai’s “Thunderstorm Beneath the Summit” is a Japanese woodcut from approximately 1831. The print showcases a powerful storm over Mount Fuji, utilizing stark contrasts of light and shadow to depict intense weather conditions. It's notable for its dynamic composition and represents one of the fame...
Why this score
Highly acclaimed Fuji series sheet, powerful contrast and mood, less universally recognized than Great Wave or Red Fuji.
Scoring methodology
Yoro Waterfall in Mino Province is an ukiyo-e woodblock print by Katsushika Hokusai, made around 1832 for the series A Tour of Waterfalls in Various Provinces. The image presents Yoro Falls as a tall cascade descending through a steep, wooded landscape, with small human figures providing scale near...
Why this score
Major waterfall print acclaimed for sacred atmosphere, sinuous water design, and saturated color.
Scoring methodology
The Dream of the Fisherman's Wife is a shunga ukiyo-e woodblock print by Katsushika Hokusai, published in 1814 in the illustrated book Kinoe no Komatsu. It depicts a nude woman entwined with two octopuses in an intimate scene combining erotic fantasy and marine imagery. The print is a single-page de...
Why this score
Historically famous and compositionally audacious shunga; major cultural influence, with explicit subject limiting universal reception.
Scoring methodology
Hokusai’s *The Dream of the Fisherman’s Wife* (1814) is a Japanese woodcut notable for its imaginative depiction of a fisherman transformed into a fearsome dragon. Created during the Edo period, this shunga print explores themes of fantasy and transformation. It was produced for the ukiyo-e genre wh...
Why this score
World-famous Hokusai shunga, historically influential and widely discussed, explicit subject affects reception breadth.
Scoring methodology
The Amida Falls in the Far Reaches of the Kiso Road is a woodblock print by Katsushika Hokusai from the series A Tour of Japanese Waterfalls, published in the early 1830s. It depicts a tall waterfall identified with Amida Falls on the Kiso road, combining a vertical cascade with small human figures...
Why this score
Waterfalls-series masterpiece renowned for its circular cascade, spiritual atmosphere, daring abstraction, and strong museum reputation.
Scoring methodology
Asakusa Hongan-ji Temple in the Eastern Capital is a multicolor ukiyo-e woodblock print by Katsushika Hokusai, made around 1830 to 1832 during Japan's Edo period. It belongs to the series Thirty-six Views of Mount Fuji and presents the Honganji temple in Asakusa, Edo, with workers active on the broa...
Why this score
Inventive rooftop viewpoint and rhythmic labor scene earn strong scholarly and museum regard.
Scoring methodology
Hokusai’s “Ejiri in Suruga Province” is a woodcut from approximately 1831. The artwork depicts a coastal scene showcasing dramatic wind and Mount Fuji's imposing presence. It’s notable for Hokusai’s masterful rendering of movement and perspective within the Edo period. This print is valued by art hi...
Why this score
Famous wind scene from Thirty-six Views, admired for motion and humor, strong museum visibility.
Scoring methodology
Fuji from the Mountains of Totomi is a woodblock print by Katsushika Hokusai from the series Thirty-Six Views of Mount Fuji, produced in the 1830s. The scene presents Mount Fuji in the distance while workers handle a large timber structure in the foreground, creating a contrast between human labor a...
Why this score
Frequently reproduced and critically admired for its monumental timber structure, labor imagery, and ingenious framing of Fuji.
Scoring methodology
The Kirifuri Waterfall at Kurokami Mountain in Shimotsuke is a woodblock print by Katsushika Hokusai from A Tour of Japanese Waterfalls, a series published around 1832. It portrays the falling water as a powerful, segmented form descending through a steep wooded setting, with small figures helping e...
Why this score
Among Hokusai's finest waterfall prints, acclaimed for branching blue torrents, monumental scale, and striking graphic invention.
Scoring methodology
Under the Mannen Bridge at Fukagawa is a color woodblock print by Katsushika Hokusai, made around 1830 to 1832 in Japan's Edo period. It is one of the Thirty-six Views of Mount Fuji, a series that places the mountain in varied settings. Here, the broad Mannen Bridge frames a distant view of Fuji; fi...
Why this score
Major Thirty-six Views design admired for circular framing, spatial ingenuity, and lively observation.
Scoring methodology
Hokusai’s Kajikazawa in Kai Province, created around 1831, is a significant woodcut from the Edo period. The artwork depicts a lone fisherman observing Mount Fuji within a powerfully rendered landscape. This piece is part of Hokusai's renowned “Thirty-Six Views of Mount Fuji” series and exemplifies...
Why this score
Admired Thirty-six Views sheet, strong diagonal composition and human drama, substantial specialist reputation.
Scoring methodology
Fujimigahara in Owari Province is a woodblock print by Katsushika Hokusai from the series Thirty-Six Views of Mount Fuji, published in the 1830s. The composition presents Mount Fuji in the distance through the circular opening of a large tub or barrel in a cooper's workshop, combining an ordinary cr...
Why this score
Celebrated for the enormous barrel framing tiny Fuji, an ingenious visual conceit combining labor, scale, and geometric wit.
Scoring methodology
Umezawa Manor in Sagami Province is a color woodblock print by Katsushika Hokusai from the series Thirty-six Views of Mount Fuji, produced during Japan's Edo period. The composition presents Mount Fuji beyond a coastal or rural landscape, with cranes providing a prominent foreground motif. It belong...
Why this score
Elegant crane imagery, quiet rhythm, and refined color make this a highly regarded series entry.
Scoring methodology
Watermill at Onden is a Japanese ukiyo-e landscape print by Katsushika Hokusai from the series Thirty-Six Views of Mount Fuji. The composition places a rural watermill, workers, and nearby vegetation in the foreground while Mount Fuji appears in the distance, linking ordinary labor with the series'...
Why this score
Major series highlight admired for intricate machinery, animated labor, water movement, and sophisticated integration of everyday life.
Scoring methodology
Ravensburger's 'The Great Wave off Kanagawa' is a stunning reproduction of Hokusai's iconic woodblock print. Renowned for their exceptional piece fit and vibrant image quality, Ravensburger puzzles consistently deliver a premium puzzling experience. The 3000-piece count provides a substantial challe...
Mishima Pass in Kai Province is a color woodblock print by Katsushika Hokusai from the series Thirty-six Views of Mount Fuji, made during Japan's Edo period. The scene shows travelers resting beside a large tree at Mishima, while Mount Fuji appears in the broader landscape. The print combines a rout...
Why this score
Memorable giant-tree composition and human scale; widely admired within Hokusai's landmark series.
Scoring methodology
Tsukuda Island in Musashi Province is a color woodblock print by Katsushika Hokusai from the series Thirty-six Views of Mount Fuji, produced during Japan's Edo period. The composition shows boats and buildings along the waterways around Tsukuda Island, with Mount Fuji forming part of the distant set...
Why this score
Complex harbor panorama admired for compositional precision and vivid Edo activity, though not a signature icon.
Scoring methodology
Sekiya Village on the Sumida River is a Japanese ukiyo-e landscape print by Katsushika Hokusai from Thirty-Six Views of Mount Fuji. The scene shows mounted travelers moving along the bank of the Sumida River near Sekiya, with the landscape and distant Mount Fuji providing a broad setting for the sma...
Why this score
Energetic composition distinguished by galloping horses, windblown forms, and bold diagonal movement toward distant Fuji.
Scoring methodology
Whaling off the Goto Islands is a woodblock print by Katsushika Hokusai depicting a whaling scene near the Goto Islands in Japan. Several boats surround a whale, and men use hand harpoons while other figures manage the vessels and equipment. The print records a maritime industry through a dynamic ar...
Why this score
Energetic maritime narrative and unusual subject attract strong interest, though it lacks the master's highest canonical standing.
Scoring methodology
Enoshima in Sagami Province is a color woodblock print by Katsushika Hokusai from the series Thirty-six Views of Mount Fuji, produced during Japan's Edo period. The image shows people traveling along the causeway toward Enoshima, a small island in Sagami Province, while Mount Fuji appears in the dis...
Why this score
Lively pilgrimage landscape with layered depth and strong narrative detail; consistently admired series work.
Scoring methodology
Suruga Satta Kaijo is a color woodblock print by Katsushika Hokusai from the series Thirty-six Views of Mount Fuji, produced during Japan's Edo period. It presents the Satta coast in Suruga Province, with ships on the water and Mount Fuji integrated into the distant landscape. The composition uses t...
Why this score
Strong Hokusai coastal landscape with striking geometry and atmosphere, though less canonical than leading Fuji designs.
Scoring methodology
Ushibori in Hitachi Province is a landscape woodblock print by Katsushika Hokusai, issued in the 1830s as part of the series Thirty-Six Views of Mount Fuji. The scene places a quiet waterway and small boats within a broad landscape, with Mount Fuji integrated into the distant setting. Its restrained...
Why this score
Highly admired for stillness, unusual cropping, and the boatman's intimate gesture within an expansive waterscape.
Scoring methodology
Katsushika Hokusai’s woodcut depicts Amida Falls in Kishu, Japan, created around 1833. The print is a key work within his celebrated Waterfalls series, recognized for its powerful vertical format and masterful depiction of the cascading waterfall. Hokusai's artwork offers insight into Edo-period Jap...
Why this score
Strong waterfall series design, dramatic verticality and blue patterning, respected but less iconic than Fuji prints.
Scoring methodologyFrequently Asked Questions
What leads the Hokusai ranking?
Fine Wind, Clear Morning currently leads the Hokusai results with a displayed score of 9.72/10. This is an editorial ranking result for the items included on this page, not a universal verdict for every use case.
How should I read the score and confidence label?
The 0 to 10 score is Lunoo's ranking judgment. Strong confidence means 10 or more recorded comparison checks, some means 2 to 9, and provisional means fewer than 2.
What supports this ranking?
Lunoo combines category fit, feature coverage, pricing and value signals, public reception, recency, and peer comparisons. Public source links support factual item details when available, but they are not required for membership in this 56-item ranking.
Can I compare the leading results for Hokusai?
Yes. The comparison links put adjacent leaders side by side so you can inspect differences that one ranking score cannot capture.
