Top Results for Edo Period

Sharaku’s woodcut portrays Otani Oniji III in the role of Edohei, a celebrated kabuki actor from the Edo period. The print is notable for its remarkably realistic and emotionally charged depiction of the performer's character. Sharaku’s skill in capturing subtle nuances within a woodblock medium mad...

Hiroshige’s “Plum Park in Kameido” (1857) is a woodcut from his landmark series, *One Hundred Views of Edo*. The print showcases vibrant plum blossoms surrounding Kameido Tenjin Shrine, a significant site during the Edo period. Its detailed depiction of botanical subjects and urban landscape influen...

Hiroshige’s “Sudden Shower over Shin-Ohashi Bridge” is a woodcut from his renowned 1857 series, *One Hundred Views of Edo*. The print depicts a moment of everyday life during the Edo period—pedestrians navigating a sudden rainstorm across the Shin-Ohashi Bridge spanning the Sumida River. Hiroshige’s...

Hokusai’s Great Wave is a woodcut print from approximately 1831 depicting a massive wave threatening boats off the coast of Kanagawa. It's one of the most recognizable works within the ukiyo-e style of Japanese art and exemplifies the Edo period. The image, part of Hokusai’s “Thirty-Six Views of Mou...

A flowering plum tree fills the foreground of this vertical ukiyo-e woodblock print by Utagawa Hiroshige. Issued in 1857 as number 30 in One Hundred Famous Views of Edo, Plum Estate, Kameido places a large trunk and curving branch close to the viewer, with visitors and the surrounding garden appeari...

A sudden downpour interrupts an everyday river crossing in this 1857 ukiyo-e woodblock print by Utagawa Hiroshige. Made for One Hundred Famous Views of Edo, it shows Shin-Ohashi Bridge and the Atake district through a curtain of slanting rain. People hurry across the bridge beneath umbrellas or impr...

Caught in a heavy downpour, travelers and porters hurry along a sloping road in Utagawa Hiroshige's Shono: Sudden Rain. The woodblock design belongs to The Fifty-three Stations of the Tokaido, his ukiyo-e series depicting stations on the major route between Edo and Kyoto. Slanting lines of rain cros...

Rainstorm Beneath the Summit is a multicolor ukiyo-e woodblock print by Katsushika Hokusai from Thirty-six Views of Mount Fuji, dating to around 1830 to 1832. Fuji's upper slopes rise above dark weather below, while a jagged bolt of red lightning cuts through the lower part of the image. The mountai...

Commonly called Red Fuji, South Wind, Clear Sky is a multicolor ukiyo-e woodblock print by Katsushika Hokusai, published around 1831 in Thirty-six Views of Mount Fuji. The mountain occupies much of the composition, appearing in warm red and orange tones beneath a clear blue sky. A dark band of veget...

Hiroshige’s “Night Snow” (Kambara, 1833) is a woodcut from his series depicting the Tokaido road. The print captures a serene winter landscape at Kambara station, notable for its evocative depiction of snowfall during the Edo period. It’s admired within ukiyo-e art and appreciated by viewers interes...

Hiroshige’s “Driving Rain” (1833) is a woodcut from his series depicting scenes along the Tokaido road. The print captures a dramatic moment at Shono station during a heavy rainstorm, showcasing travelers seeking shelter. It's notable for its detailed depiction of Edo-period life and Hiroshige’s mas...

Hokusai’s “Fine Wind Clear Morning – Red Fuji” is a woodcut from approximately 1831. It's part of his renowned "Thirty-Six Views of Mount Fuji" series, celebrated for its powerful depiction of the iconic mountain and innovative use of perspective within Japanese landscape art. The print showcases Ho...

This woodblock print by Tsukioka Yoshitoshi belongs to One Hundred Aspects of the Moon, a series issued between 1885 and 1892. It depicts Fujiwara no Yasumasa, a Heian-period courtier, playing the flute outdoors under moonlight. The subject combines a historical or literary figure with the series' r...

In Kajikazawa in Kai Province, Katsushika Hokusai places a fisherman on a rocky promontory above turbulent river water, with Mount Fuji visible in the distance. Made around 1830 for Thirty-six Views of Mount Fuji, the ukiyo-e print connects everyday work with a natural landmark. The fisherman's bent...

Hokusai’s “Thunderstorm Beneath the Summit” is a Japanese woodcut from approximately 1831. The print showcases a powerful storm over Mount Fuji, utilizing stark contrasts of light and shadow to depict intense weather conditions. It's notable for its dynamic composition and represents one of the fame...

Set in an impoverished district of Edo, Humanity and Paper Balloons follows people whose daily survival is constrained by status and money. Sadao Yamanaka's 1937 Japanese film brings a struggling ronin's search for employment into contact with a barber's involvement in a kidnapping plot. Samurai and...

Utamaro’s “Three Beauties of the Present Day” (c.1793) is a significant Japanese woodcut from the Edo period. The artwork showcases three celebrated women, a style known as bijin-ga which became widely influential in ukiyo-e prints. These portraits established a recognizable format for depicting and...

Set in the Edo period, The Crucified Lovers follows Mohei, a worker in a printing business, and Osan, the wife of a wealthy merchant. Circumstances force them to flee together under suspicion of an illicit relationship. Directed by Kenji Mizoguchi in 1954 and based on a work by Chikamatsu Monzaemon,...

Early morning mist shapes this ukiyo-e woodblock print by Utagawa Hiroshige, published in the 1830s as part of The Fifty-three Stations of the Tokaido. Travelers and a packhorse move along the road at Mishima, their forms partly softened by the cool atmosphere. Trees and the entrance to the station...

The Ghost of Oiwa is a woodblock print by Tsukioka Yoshitoshi from One Hundred Aspects of the Moon, a series issued between 1885 and 1892. It draws on Yotsuya Kaidan, the Japanese ghost story centered on Oiwa, whose death and betrayal lead to her return as a vengeful spirit. The print connects late...

Yoro Waterfall in Mino Province is an ukiyo-e woodblock print by Katsushika Hokusai, made around 1832 for the series A Tour of Waterfalls in Various Provinces. The image presents Yoro Falls as a tall cascade descending through a steep, wooded landscape, with small human figures providing scale near...

Jigoku Dayu is a woodblock print by Tsukioka Yoshitoshi from the series One Hundred Aspects of the Moon, published between 1885 and 1892. It depicts the legendary courtesan Jigoku Dayu, whose name means Hell Courtesan, in a richly patterned kimono incorporating skeleton imagery. The figure is associ...

The Dream of the Fisherman's Wife is a shunga ukiyo-e woodblock print by Katsushika Hokusai, published in 1814 in the illustrated book Kinoe no Komatsu. It depicts a nude woman entwined with two octopuses in an intimate scene combining erotic fantasy and marine imagery. The print is a single-page de...

Hokusai’s *The Dream of the Fisherman’s Wife* (1814) is a Japanese woodcut notable for its imaginative depiction of a fisherman transformed into a fearsome dragon. Created during the Edo period, this shunga print explores themes of fantasy and transformation. It was produced for the ukiyo-e genre wh...

This woodcut, created by Toshusai Sharaku in 1794, depicts Ichikawa Ebizō IV as the character Takemura Sadanoshin. It’s notable for Sharaku's remarkably realistic and emotionally astute portrayal of a kabuki actor, particularly his depiction of Ebizo’s complex demeanor. The print is valued by collec...

Nihonbashi: Morning View is an ukiyo-e woodblock print by Utagawa Hiroshige, published in 1833 as the opening image of the 53 Stations of the Tokaido. It shows the Nihonbashi bridge in Edo at the beginning of the road, with travelers, porters, and early-morning activity moving through the foreground...

Yui: Satta Peak is an ukiyo-e landscape print by Utagawa Hiroshige from the 53 Stations of the Tokaido, issued in the 1830s. It depicts the steep coastal route near Yui, where the elevated viewpoint looks across Suruga Bay toward Mount Fuji. The composition emphasizes the contrast between the narrow...

Asakusa Hongan-ji Temple in the Eastern Capital is a multicolor ukiyo-e woodblock print by Katsushika Hokusai, made around 1830 to 1832 during Japan's Edo period. It belongs to the series Thirty-six Views of Mount Fuji and presents the Honganji temple in Asakusa, Edo, with workers active on the broa...

Hokusai’s “Ejiri in Suruga Province” is a woodcut from approximately 1831. The artwork depicts a coastal scene showcasing dramatic wind and Mount Fuji's imposing presence. It’s notable for Hokusai’s masterful rendering of movement and perspective within the Edo period. This print is valued by art hi...